July 2, 2008
Uncategorized
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By Tobermory
I was dismayed but not really surprised to read in the July 2 Ottawa Citizen that mezzo-soprano Julie Nesrallah will host CBC Radio Two’s only program devoted solely to classical music come September, the 10am - 3pm weekday slot of an as-yet unnamed show.
Not that I have anything against Ms Nesrallah, she is a talented singer with a charming onstage manner. It was the dismissal in the article of very talented current classical show hosts like Tom Allen and Eric Friesen by Programming Director Chris Boyce with inane statements like “she really knows this stuff” and “the conversation she will be having about it will be really intelligent conversation.”
Mr. Boyce appears not to know anything about classical music or ever listen to Radio Two’s current programming; if he did, he would be aware that it is not possible to have more intelligent and knowledgeable conversation about classical music than we currently get from the two broadcasters mentioned above - and they are charming and entertaining to boot. But neither one has been offered the prize. Instead it has gone to someone with no broadcast experience of any kind. What could the reason be?
What does Julie Nesrallah represent? The same thing our charming GG represents, and who was chosen for the same reasons. Yes, you guessed it - the new multicultural face of Canada. Ms Nesrallah is female, off-white and of non-European ancestry. The CBC poohbahs must imagine that she will naturally attract all those “new” Canadians who currently listen to ethnic radio or CDs from their country of origin, because she will reflect them. Well, no, she will not turn them into new listeners of Radio Two - the reason they don’t listen to CBC is because they prefer to hear music they are used to and commentary in a language they speak fluently.
And she is a star! So doubtless she will also attract all those people who have never listened to classical music because it is presented by some dull broadcaster they never heard of. But here’s a flash for the geniuses at CBC Programming like Chris Boyce - people who don’t already enjoy classical music have never heard of Julie Nesrallah either, and they couldn’t care less.
The formerly small but loyal audience for Radio Two is about to vanish into a black hole as a result of the new “vision” for the station, which is really just the political agenda, or politically correct agenda, of the little band of tired left-liberals who now run the CBC. All Radio Two will “reflect” is their view of Canada as they think it should be, not as it really is. And we “old” Canadians who love classical music will tune in to BBC and NPR classical on the Internet, or join the “new” Canadians and just listen to our CDs.
May 27, 2008
American Politics, Uncategorized
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By Arran Gold
Kate informs us that the Messiah, aka Obama, has expanded his skill-set and it now includes raising the dead. It once again highlights what your correspondent has previously thought about his oratory skills.
As soon as the Teleprompter King™ deviates from a prepared text, he is in trouble. The fatal phrase that he uttered, “and I see many of them in the audience here today”, seems to be an idle ad lib on his part when one examines the corresponding video. When one hears him being interviewed, it is surprising to hear the umms and ahhs in his response. Your correspondent is old enough to recall that when Ted Kennedy’s presidential campaign began to falter, the newspaper started including the verbal annoyances in the text as a signal that it was time to stick a fork in the pig. Will the Messiah’s campaign follow a similar path?
May 30, 2008
Update: The WSJ Opinion column agrees:
As smart and credentialed as he is, Sen. Obama is often an indifferent speaker without a teleprompter.
May 20, 2008
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By Duggan's Dew of Kirkintilloch
US Federal Judge Bernard M. Decker:
“It is better to allow those who preach racial hatred to expend their venom in rhetoric rather than to be panicked into embarking on the dangerous course of permitting the government to decide what its citizens may say and hear …. The ability of American society to tolerate the advocacy of even hateful doctrines … is perhaps the best protection we have against the establishment of any Nazi-type regime in this country.”
By June 24 1978, US Nazi leader Frank Collin had assembled his forces and was ready to parade his might before an astonished world. Apart from his drive to make a fool of himself, Collin himself was a character of minimal charisma and absolutely no consequence, while his Brownshirts were an ill-favoured bunch of mixed physical types, mostly unremarkable. In press conferences, Chicago reporters enjoyed asking Collin whether he was of Jewish descent so they could watch his face turn red. For months, the ACLU had been fighting for Collin’s right to lead his dozen confused young adolescent males on a march through Skokie, a mostly Jewish suburb of Chicago. For some reason, the US federal government was forced to host a Nazi demonstration and chose Federal Plaza in downtown Chicago as the venue. The Chicago police were drafted in to make this all happen. Their solution was to bring the Nazis in through the back of the federal building and on to the plaza. The wags on the force had decided to place the press inside a double line of saw-horses between the Nazis and the mob. (Jim Belushi was there with the world’s phoniest press pass, to gather material for Second City skits. The cops didn’t care. You want to be part of a human coil-spring between angry and stupid? Fill your boots.)
It was a beautiful day and everyone got there early for the warm-up. College kids came in for miles around to confront the demonstrators. It could have been a festival, with street vendors and music, except people were carrying signs mounted on two by fours and lengths of steel pipe. The police did their best to confiscate those, along with the rocks and bottles, but it was a big crowd.
The demonstration itself was quite brief, and Collin’s bull-horn was totally inadequate to the storm of noise and debris that instantly broke over him. While he exercised his right to free speech, the Chicago cops exercised their baton arms on the unfortunates who were jammed up against the barriers. The press got a story with lots of exciting ‘vis’, and the students got a lively outing. Everybody got something. This is how a free people conducts its business, in the open air, in full view of all. Hateful people have a right to say at least some hateful things, and government has at least some obligation to protect them. Whenever I look at the wasteful, inept and ultimately useless human rights cases in Canada, I think of the US government making sure Frank Collin had freedom of expression. He is long gone now, but the lesson remains. Give a free people free expression and free access to ideas - they know what to do.
May 10, 2008
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2 Comments
By Duggan's Dew of Kirkintilloch
Indulge me as I walk through this from the point of view of a communications person. The CHRT announced a decision that it would no longer transcribe and release tribunal testimony, beginning with the March 25 Lemire hearing. All right, fine, a little research revealed that this had been in contemplation for some months but only wanted some good reason to take effect. (The needle on the Sinister meter is only flickering a little.) The hearings were to be available in audio format. However, when I called to obtain a CD (with the purpose of organizing an online transcription bee) I learned that it could only be obtained by an Access to Information request.
“You’re kidding.”
“No.”
At that point, I desisted and sat back to await events, because John Pacheco was doing a great job slicing the testimony to ribbons and it was clear that exceptionally stupid people were in charge at the commission.
From the perspective of a communications professional, this is a carnival of ineptitude. First of all, does anyone who has ever worked in a bureaucracy believe there would not be an official written transcript for internal use? And there would not be half a dozen ways for the outside world to discover that? And that not releasing it - like all the others - would make you look petty and fearful and bitter and hateful and obstructive and small?
In the transcript, the fellow who has presided over the travesty said, “Have you had the opportunity to use the audio system; Mr. Fromm, that we have in place now, because it’s quite user friendly? I’m relying on it quite extensively.” Why? Why would he ‘rely on it’? He already had written transcripts for all previous hearings. Which brings us to the sudden banning of written transcripts just in time for the one that promised to continue to bring CHRC wrongdoing to the surface. I do not think it is a coincidence, I think it is a calculated measure to drive up defendants’ costs at a critical time.
Then, apparently, someone at the Commission leaked the official transcript - which should not but does exist - to a presumably ‘friendly’ journalist. To vindicate the commission. In 60’s advertising jargon, “Fuzzy thinking.” To reporters, the call for ‘balance’ means walking all the evidence in hand around to every possible adversary, in search of a good, balancing quote. That part is working great so far, for the reporter and Ezra and the cause of free speech. I wonder how it’s working at the Commission?