Occasionally a picture is worth a thousand words. This painting would have been made sometime in the latter half of the 19th century, around 1875, on Nantucket, a prosperous whaling island off the coast of Cape Cod, Massachusetts,
You will note the absence of everything that makes a modern kitchen convenient. Start with the absence of pipes and of cold (not hot) running water. No sink. No wood stove, only an open fire. Mrs. Ray emerges from a larder in which food is stored.
No electricity: and thus no dishwasher, refrigerator, washing machine, dryer or lights. Scarcely a counter-top on which to cut and prepare a meal. In case you wonder about what is hidden at the other end of the kitchen, the painter did the other end too. You can see a sideboard, a small table, a mirror, a sconce for a candle, and the fireplace. Not even a wood stove!
These were prosperous people of the time. Not rich, but not suffering either. Note the fine piece of furniture below the mirror. Note the wide (16-18 inches?) sawn planks of old growth pine and the lack of water stains on the whitewashed ceiling. They lived in a comfortable house, by the standards of the time.
All this is a world before fossil fuels or electricity. Doubtless it had a very low carbon footprint.
When I read about carbon taxes, and rich magnates like Bill Gates saying we have to get carbon neutral by some date in the near future, I ask myself, do these fools understand what it was like to prepare a meal in Susan Ray’s kitchen?
To prevent the worst effects of climate change, we need to get to zero net greenhouse gas emissions in every sector of the economy within 50 years—and as the IPCC recently found, we need to be on a path to doing it in the next 10 years. That means dealing with electricity, and the other 75% too.
50 years is nearly twenty years less than what I have lived already. Two hundred years would be a more reasonable time horizon.
Read him, he exemplifies a kind of insane rationality that fails to understand that the world cannot get to carbon neutrality at any price we can afford, political or economic, in fifty or a hundred years, if ever. Insanity is not the absence of rationality, but the excess of it. Just think of Susan Ray’s kitchen when you think of a low carbon footprint, but you should take out the fireplace and replace it with a wood stove, if the authorities will permit it. That is a low-carbon footprint kitchen. Why is it so difficult for the intelligent of our time to understand that they have embarked upon a course of folly and destruction?
Global warming catastrophism is a disease of the intelligent, like Communism in the 1930s.
Eastman Johnson, (July 29, 1824 – April 5, 1906) painted “Susan Ray’s kitchen”. Hewas an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th-century Dutch masters, whom he studied in The Hague in the 1850s; he was known as The American Rembrandt in his day.